Blurred Lines Inside the Art World Theaters Near Me

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've always taken an art history class or spent time in a fine arts museum, chances are you lot know a lot about the men who "defined" their mediums. Equally with other subjects, near of what we learn near fine art history today still centers on white men from Europe and, afterwards, the United States. In reality, in that location are so many more artists of all genders to larn from and appreciate.

Here, we're specifically taking a look at just some of the women who take had lasting impacts on their art forms. From some of the fine art world's well-nigh iconic pioneers to its near unsung heroes, these women artists all had a hand — and, in some cases, still have a mitt — in changing the world of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. Afterward studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman'southward Untitled Moving-picture show Stills (1977–80). serial. Photos Courtesy: Museum of Modern Fine art (MoMA)

Photographer Cindy Sherman was office of the Pictures Generation during the 1980s, and is perchance most well known for her series of Untitled Film Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of diverse generic female movie characters, amongst them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'southward influence over our private and commonage identities.

Yoko Ono

A still from the performance Cut Slice, 1964, and a motion-picture show of the installation One-half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

Y'all might first think of Yoko Ono as a musician and activist, but she's also an accomplished performance and conceptual creative person. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cutting Slice, was a operation she beginning staged in Japan; Ono saturday on phase in a squeamish adjust and placed scissors in forepart of her, and, in an deed of daring vulnerability, invited audience members to come on stage and cut abroad pieces of her clothing. "Fine art is like breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar's Blackness Girl's Window, 1969 (total and item). Photos Courtesy: Museum of Mod Art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking elective changed her entire career trajectory — and, in plow, office of the trajectory of art history.

Saar was function of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to look at a piece of work of art, and so y'all might be able to requite them some sort of message."

Frida Kahlo

People look at Frida Kahlo'south 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is best known for exploring themes similar expiry and identity through her cocky-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded equally one of the well-nigh influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'south Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, merely she's besides known for her hyper-real sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's piece of work — and her signature grayscale skin tones — as she was the commencement Black woman to complete a presidential portrait for the Smithsonian'south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Ruddy With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known every bit the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, merely maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to proceeds the respect of the New York art earth, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor'south biennial exhibition All the World'due south Futures, role of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question guild, identity, and racial politics by enervating the audience to face up truths well-nigh themselves. She ofttimes challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed equally a Black human being with a fake mustache and sunglasses, or while wearing compelling statements on her wearing apparel.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our Business firm Is on Burn at the Robert Rauschenberg Foundation in New York City in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, picture show, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer'due south work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human activity every bit meditations on diverse concepts, such every bit trauma, knowledge, and promise. One of her more notable works, I Smell Y'all On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic North American civilization. In 2005, she was the starting time Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual fine art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Sense of taste Outside of Dear, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop fine art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Blackness American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was ane of the major figures within the early Feminist Fine art movement. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the office of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the offset feminist art program in the United States.

Augusta Brutal

Augusta Savage with one of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Barbarous was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In improver to creating scenic sculptures, ofttimes of Black folks, Savage founded the Fell Studio of Craft in Harlem in 1932, and, a few years later, she became the showtime Blackness American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Fine art (MoMA)

Known for her provocative functioning art practices, Carolee Schneemann is considered the progenitor of "body art". (Simply look upward her most famous work, Interior Curl, and you lot'll come across what nosotros hateful.) She used her trunk to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional power relations. In addition to documenting New York Metropolis's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that'due south the idea! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Yet, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilization.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of ix. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a fashion that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Even so from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, writer, theorist, and assistant professor who won an Impact Honour at the Indiecade Festival in 2020 and the Creative Accolade from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to accost global issues such equally racism, gendered violence, and climate alter.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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