Do You Know Who Ate All the Donuts Soundboard
Baseball'due south symphony of sounds
When I stopped playing, what I missed most were the sounds of the ballpark. For years after I retired, I heard those sounds in my head before I went to sleep.
-- Stan Musial
The sounds of the game are unmistakably nowadays every dark, in every ballpark. They are unique to baseball; some are loud, some subtle. After sight, hearing is the virtually acute of the senses. Information technology helps create a fan experience not found in any other sport. Close your optics and listen, and yous tin know what stadium y'all're in, which team is winning and even which bullpen is dealing.
Roger Clemens once said he loved going to the Astrodome to "mind" to Nolan Ryan warm upward in the bullpen before a game, the gunshot sound that Ryan's 100 mph fastball would make when it collided with the catcher'south manus.
Chipper Jones says he loved the clatter sound made by Bobby Cox's metal spikes on concrete in the rail to the dugout, a certain sign that another major league game was about to start.
"My favorite sound is that little click you hear when the hitter knocks the batting doughnut off his bat in the on-deck circle," says the Rangers' Lance Berkman. "When I hear that, I know it'southward time for me to hit."
There are 3 places in a ballpark from which the about singled-out sounds come: the plate, the mound and the stands. But the sounds come up from everywhere.
"I've always liked the sound effectually 2d base of operations when there'southward a steal," says Rays outfielder Sam Fuld. "The runner is sliding, the ball hits the glove, the runner hits the handbag. [It isn't the aforementioned trigger-happy sound], simply all that mayhem must be like to what goes on at the line of scrimmage in an NFL game."
Marlins outfielder Matt Diaz says: "I honey the sound of footsteps. With the big guys, you lot hear that 'thump, thump, thump.' The louder the footsteps, the slower the guy. Andrew McCutchen, you never hear his feet; it's like he's floating. When he'south going subsequently a ball, information technology'south like 'ah, ah, ah.' When that audio gets really loud, you move aside and let him catch it."
Braves outfielder Reed Johnson says it's hard to hear some other outfielder running at him in the oestrus of a game in a loud ballpark. "You larn to glance over and look off the guy adjacent to you," he says. "I played next to Vernon Wells for five years, and we never said a give-and-take to each other considering nosotros e'er knew where we were and who could brand the play."
Brewers outfielder Carlos Gomez yells all the time on the bases. "He is ever making noise," says Angels pitcher C.J. Wilson. "Every bit soon every bit he hits the ball, he'southward running to first and he's making these motorboat noises as he runs. And he'south yelling -- I think at himself, merely I'k not certain."
Padres catcher John Bakery says: "Some guys were born in the wrong country. Carlos Gomez should be in the NFL. He is so big and and so fast, and he makes so much noise equally soon as he starts running. He'south like a train chugging down the track."
Gomez, who grew upwards in the Dominican Republic, explains himself, maxim: "I am still a kid out there. I still do things like did I when I was 12. I used to watch track and field guys when they ran, what their faces looked like, the sounds they made. When I run, I'm counting every step. Not similar 1, 2, three, four … I'thousand telling myself 'one more step, one more pace' until I reach the side by side base."
When runners do reach the next base, the conversations brainstorm.
"'Dunner' [Adam Dunn of the White Sox] is the all-time talker in the world," says Royals outfielder Jeff Francoeur. "When I'thousand on first, he'll say to me, 'You don't have a big enough lead.' Or 'Y'all have too big a lead.' He gets pissed when you lot brand him bound off the bag and make it fielding position. It actually pisses him off when you striking a double and he has to trail you to second. He'due south yelling at you the whole way for making him run to second."
Nationals offset baseman Adam LaRoche laughs and says of Dunn: "Adam volition not close up. He is ever funny. He rarely talks nearly baseball. He will talk to whoever is around him. All the umpires know not to go within l yards of him. If there's no one effectually, I'1000 convinced Adam will talk to himself."
Dunn smiles and says: "I'chiliad not going to be bored out there. When I'm bored, I'm out of hither."
There are conversations going on everywhere. "Miguel Tejada talked to himself, or his imaginary friend, the whole game," Baker says. "I remember what comes out of his rima oris shuts out the voice inside of his head."
And there are conversations that take identify in the dugout every night.
"I draw a line in our dugout," says A'due south manager Bob Melvin with a smile. "Some players who are not playing that day know that they are not allowed to cross that line and come over and talk to me during the game considering they are going to drive me crazy about not being in the lineup that day. Josh Reddick is i of those guys."
The Tigers' Miguel Cabrera ever plays, and ever talks. "He is a lovable, funny guy," Wilson says. "Guys rub people the wrong way with what they say in the field. Not Miggy. He's always messing with the Latin guys on the other squad. [The Rangers'] Elvis Andrus was always making fun of him. He would call him fat, and Miggy would burn down back."
At that place are constant conversations between teammates, but not always with words. They can happen with sounds.
"It'south very hard to hear your fellow infielders during the class of a game," says Braves 2d baseman Dan Uggla. "When you see a shortstop and second baseman movement closer to each other before a play, it'southward and so they can talk to each other when y'all can't communicate with your hands. That's why there's a lot of whistling going on to get someone'due south attention. Our outfielders whistle to our infielders all the time. 'Rossie' [ex-Braves and current Red Sox catcher David Ross] is the all-time whistler ever. You tin can hear his whistle from miles away."
Nationals manager Davey Johnson, who played 2nd base of operations on pennant-winning teams in Baltimore in the 1960s and '70s, says, "A lot of the communication out there is very subtle. I called the coverage with visual signs, but sometimes [shortstop] Louie [Aparicio] would want a verbal command, and I'd know what he wanted just by his facial expression. When I went behind start base of operations to take hold of a popup, Boog [Powell, the Orioles start baseman] e'er knew my voice. There tin can be l,000 people screaming bloody murder out there, simply the simply thing you hear is the guy'south vocalisation that you need to hear on that play."
The worst sound on a baseball game field, Baker says, "is the sound when someone gets striking by a pitch. That dull thud sound, y'all're going to have a bruise tomorrow. That slap audio, you probably broke your wrist. That slapping audio, the skin-on-skin sound, you know it's really bad. The worst sound of all is when a guy gets hit in the head."
J.T. Snow was once striking in the caput by the scariest pitcher maybe ever, Randy Johnson. "I was lying in the dirt, blood gushing from my eye," Snow said. "It felt like I'd been coldcocked, like in a fight. All I could hear was my married woman screaming in the stands."
Rays 3rd baseman Evan Longoria smiles and says: "The worst sound is the sound of the ball hit a guy's loving cup. It happened to me the other day. If you can hear it, that very loud tap, yous know information technology'southward bad. Only the men can hear information technology. When y'all hear it, anybody merely ducks their heads and hopes that the guy is OK. Nosotros all know what information technology feels like to have one in the cup."
The sound at the plate
When it'due south my plow to hit, the quietest place on earth is home plate.
-- Ted Williams
Striking a baseball is the hardest skill in sports. Remarkable concentration is required to hit a ball traveling 95 miles per hour. Tiger Wood is incensed when a single camera clicks during his backswing. When a tennis histrion is getting set up to serve the ball, fans are asked to finish all chat. But when a hitter is trying to make contact with Justin Verlander's 100 mph heater, the oversupply is urged to go wild; and somehow, inner silence is imperative for the hitter.
"When you lot are locked in at the plate, you lot can't hear a thing," Francoeur says. "But when you are struggling, you lot hear everything especially when you're in Philly."
Indians DH/first baseman Mark Reynolds says: "I effort to block everything out when I'm up there, like Kevin Costner in 'For Love of the Game.' The less you hear, the better. If you hear people, you tin can't hitting."
Diaz says: "I hear everything until the pitcher goes in his motion. And so my senses close down and all I hear is a fizz."
Baker says: "Players misidentify the sound. They hear it, only it's ambient noise. The sound that is more intimidating is with the smaller oversupply. In Miami, you lot could hear everything that was said. Something that is very private becomes very public when at that place are only 50 people there. With 50,000 fans, when you walk to the plate, you lot tin't not hear that, just it is white dissonance, like the noise that makes a babe sleep. Yous hear it, merely you don't discover it."
Uggla says: "When I get to the plate, there is just a whole lot of cipher going on. My heed only kind of goes silent. A few times, y'all will hear that one fan that everyone tin can hear from home plate to centre field. And y'all'll ask yourself, 'Why am I hearing that guy?'"
Dunn says: "You don't hear annihilation. If you do, they've won. That's the home-field reward."
The hitter tries to keep his concentration, tries to stay focused, but sounds can interrupt nonetheless. Reynolds says: "I detest it when the catcher and umpire get in a chat during an AB. I step out of the box and desire to tell them, 'Hey, shut the f--- up, I'm trying to concentrate here.'"
Royals infielder Elliot Johnson agrees, saying, "When they are both talking back in that location, I just look back at them with a expect like, 'Are you lot done yet? I'one thousand trying to hit here.'"
Then at that place are the ball/strike calls. Some umpires are loud, others soft.
"In that location'southward then much sensory focus," Wilson says. "When Tim McClelland is umpiring, your ears are turned up because he takes so long to make a call. I love Tom Hallion'due south strike telephone call: Byyyyy-aaaaa! And information technology'due south not even strike three. So he throws a punch. I got T-shirts made that say, 'Go for the Punch.' He has the best phone call. I await forward to hearing that call, fifty-fifty when it's confronting our hitters. I love Jim Joyce'due south call: the Eeeeeee! scream. When we become upwards and say hi to him, nosotros say, 'How is information technology going, Jim-eeeeeee!?'"
Bakery says: "When Joyce or Hallion call you out and exercise a dance behind you, that's one thing. It's worse when McClelland calls y'all out and y'all tin can barely hear him."
And then there are catchers who like to talk to the hitter. Francoeur says: "[A.J.] Pierzynski talks the most. We talk Florida football. Clemson football. The nicest is Joe Mauer."
Dunn says with a smile: "Chad Moeller is the worst. He won't shut upwards backside the plate. He's talking while the pitch is coming. I have to look at him and say: 'Will you delight shut up? Don't talk to me.' It really bugs me. With him, I'm praying for a play at the plate."
Baker, the Padres catcher, says: "I talk a lot to the hitters. I have nine-inning conversations with Brian McCann. But Lance Berkman is the best. He will talk to you the unabridged at-bat, even when the pitch is coming to the plate. He once stepped in the box and told me that he got a new dog, a Lab. He said, 'He'southward eating my socks, my sheets.' And and so he'll say, after the first pitch, 'That pitch was down, wasn't it?' So he'll go on to tell me most his canis familiaris -- during a major league at-bat. That's how relaxed Lance is. That'south why he'southward such a great hitter."
With great hitters, the sound of the brawl coming off their bat makes, some say, a different sound.
"That's my favorite sound on the baseball game field -- when a large hitter hits the ball really difficult, it makes a PLUCK audio," says Reds managing director Dusty Bakery, with Hank Aaron the first to come up to mind. "Henry's bat made that audio; and so did Barry Bonds'," he says. "Simply the guy that all my guys would come back to the dugout and say the ball exploded off his bat was Fred McGriff. There's no sound like that. That PLUCK audio is when a guy scalds that ball. You tin can hear that sound all over the park."
Pierzynski says: "Miguel Cabrera's bat makes the loudest sound. That's easy. He hitting a ball last year that went so far -- about 520 anxiety to expressionless centre field -- my ears are yet ringing from that. Afterwards the inning, I had to go get my ears checked to come across if they were bleeding."
Former pitcher and current ESPN baseball game analyst Brusque Schilling says: "Delmon Immature, when he was twenty, fabricated the loudest sound I've e'er heard. We had our backs to the cage, four or five guys went through, then we heard this sound. I turned around and information technology was Delmon Young. I'd never heard a sound that loud. I thought he'd win a batting title."
Elliot Johnson says: "I played with Delmon, and I played with Elijah Dukes, and the sound off of Dukes' bat was louder. But the loudest I've ever heard is Jose Bautista. I could turn my head to the side and tell yous when he was taking batting practice. He uses an ash bat. Ash bats are louder than maple bats."
Dunn says: "[Dayan] Viciedo [of the White Sox] makes the loudest audio. I tin tell you if he'southward hit in our group, or way over on Field four. It sounds like a cannon when he hits the brawl. He swings so hard. I'd blow out every muscle in my dorsum if I swung the bat that hard."
But according to about players, the loudest sound of all comes off the bat of Josh Hamilton.
"When y'all're walking to the tunnel and you hear the audio off Josh Hamilton's bat, you say, 'What the hell is that?' It sounds like a gunshot," John Baker says. "And he'south hitting with Nelson Cruz and Mike Napoli, guys with a lot of ability. Mike Trout makes a lot of noise, also. He doesn't first his swing until it's and so late, later than anyone. That quickness creates serious noise."
C.J. Wilson says: "Information technology depends what type of bat you lot apply. An ash bat has more of a whip sound to it; a maple bat has more of a crack. There is no sound coming off the bat like the 1 off Josh's bat. That's partly because he uses a actually heavy bat, 33 ounces. Information technology'south sort of a nifty sound. About guys have a little click. It's like his sound lasts much longer than other guys'. Information technology reverberates more than other guys'. Information technology echoes. When he squares it upward, y'all tin can hear information technology from 100 feet away. And when you're in an enclosed place, similar the batting cage in Detroit, it is crazy loud when he's hitting."
Diaz says: "In that location's naught like the audio off Josh Hamilton's bat. He uses such a heavy bat. It'due south much more dense. Information technology resonates."
Francoeur says: "I played with Chipper [Jones]. I played with Billy [Butler]. I played with Josh. At that place is nothing like the sound that's made when Josh crushes a baseball."
LaRoche says: "I could swing Josh'south bat and make a similar noise fifty-fifty though he swings the bat 100 miles per hour faster than I do. Merely I wouldn't make that sound nearly every bit often as he does."
Berkman, though, shakes his head in atheism.
"I think information technology's psychosomatic," he says. "I can't tell the difference. Josh Hamilton'due south sound is no different from the sound of Miguel Cabrera, Albert Pujols, Matt Holliday and Prince Fielder. Information technology'south been that manner forever in baseball game. Sometime-timers said, 'Oh, you should accept heard the sound made past the bat of' … so fill in the blank. If you lot took the x best hitters in baseball, put a blindfold on me, I couldn't tell the departure between the sound of any of them."
The sound on the mound
I knew I was in problem on the mound this evening. I could hear the crowd.
-- Roger Clemens
Remarkable concentration is too required to exist a major league pitcher. The night in the 2000 World Series when Clemens picked up the barrel of a broken bat and threw information technology at Mike Piazza is a perfect example of that focus. Television cameras picked upwardly Clemens mouthing the words, "I thought it was the brawl," meaning he thought the bat was the brawl and that's why he picked it up and threw information technology at Piazza. A convenient excuse? Maybe. But when pitchers arrive a zone on the mound, they sometimes have no idea what'southward going on around them. They need that silence.
"I don't want to hear a audio out in that location; I don't hear a audio," says Rangers pitcher Derek Holland. "Have yous e'er seen the movie 'For Love of the Game'? I try to lookout man it the night before every outset. I don't stand up on the mound and whisper, 'Clear the mechanism' to myself like Costner did. Just I get and so locked, I tin't hear anything. The simply sound I hear is when I turn to say something to an infielder, which really annoys them."
Wilson says: "I don't hear a thing. I hear nothing out there. Just when a dude really squares ane against you lot, then you can hear it. You know, and you lot drop your head and say, 'Please become foul, or striking a bird.' When a player hits a home run on the road and the identify is really loud, and then the place just goes silent, that's the big noise: the absence of noise. It's similar when a record skips or some guy walks into a party who'due south not supposed to be in that location."
Nationals pitcher Drew Storen says: "I don't hear annihilation from the stands. It's like from 'For Love of the Game.' But I can hear my infielders. I can hear what'south being said in the dugout. It's fascinating. Every bit players, nosotros have a sense of whose voices are what. We hear what we need to hear, and we don't pay attention to what we don't need. It'due south very difficult to get our outfielders' attending from the bullpen, simply they can hear things from dugout because that's where they need to exist listening. Every bit players, we know the sounds of the game. You know when in that location'southward a wing ball and the fans yell, 'Oh!' like it'south gone? As players, we aren't fooled past that sound. Nosotros know that'south a routine fly ball to center."
And yet, the mound can be a very noisy place, too.
"Pitchers are out at that place grunting and snorting; Jake Peavy is the best. He'south hilarious," Wilson says. "He'due south e'er yelling at himself on the mound. He's yelling, 'Dang information technology, Jake, that's terrible!' [A'due south closer] Grant Balfour is always yelling at himself besides. He grunts all the time. I will yell a loud obscenity once in a while. I'll driblet an F-bomb. At that point, there is no volume control out there. It's like, 'Whoops, sorry to the kids in the front row.'"
Peavy smiles and says: "I endeavour non to yell; I try not to swear. But at 7 o'clock every night, I turn into someone unlike. I'g out in that location trying to focus. I'm competing. I can't control myself. But I have 3 little boys. I want them to exist able to watch their daddy pitch without hearing all the yelling. Greg Maddux fabricated me feel good. He would say one [bad] give-and-take all the time when he pitched. I just try to say, 'God anoint it.' But I wear my emotions on a sleeve. I'm conscious of it. I love to compete. I am not a crazy creature. But it's been 11 or 12 years of this. I don't remember I'grand going to change. And I'grand non going to repent."
Dunn smiles and says: "I make fun of Jake. I mock him. I tin can't even make the sound he makes when he's out there; it will injure my throat. We do an over/under on when he's going to first yell at himself. I usually gear up information technology at about five and a half pitches. He's a clown."
Diaz says: "In the minor leagues, Peavy bankrupt my bat. I singled up the middle, and he yelled at me, 'Are y'all going to take that?' I said: Yep. I need all the help I can get off Jake Peavy."
The Padres' Baker says, "[Chris] Carpenter and [Roy] Halladay are e'er yelling at themselves. I saw Carpenter surrender a striking to a guy -- a guy who was just called up -- in a simulated game and Carpenter was screaming into his glove as the guy was running to first. Information technology wasn't very nice language. Halladay is the same way. I hitting a grounder up the center off him a couple of years ago, and he bore a pigsty in my face up with his eyes, then he screamed at me. That was a good feeling: make a guy that good that mad."
Baker adds: "Kip Wells yells on the mound all the time. Or he'd really grunt, that Serena Williams grunt. We'd mess with him and tell him that he only screamed when he threw his breaking brawl, so he started screaming on his fastball. Jason Marquis told me last year that he was going to first screaming when he let the ball go, only yell "Strike 3!' just to mess upwards the hitter."
Pitchers brand sounds with their pitches. Ex-Dodgers catcher Paul Lo Duca one time said that Eric Gagne'southward changeup spun so quickly and tightly "it would rip your shirt." And information technology made racket.
"Some pitchers, you lot can hear the ball coming, it'due south spinning so fast," Wilson says. "It makes a sizzling sound, it comes in so hot. [The Rangers' Alexi] Ogando'southward brawl makes that sound. His stuff is so filthy. It has backspin on information technology. [The Angels'] Garrett Richards is the aforementioned mode. The ball is halfway to you, and y'all think, 'Oh s---, here it comes,' it's making so much dissonance. Rick Ankiel was similar no ane else. When he threw that curveball, you could hear it spinning from the dugout. It was disgusting. His curveball is the loudest I've ever heard."
Reynolds says: "Y'all can hear a really tight slider. It sounds like a big insect flying past your ear. Back in the day, you lot could hear Peavy's slider. And [John] Smoltz's slider. They were loud."
Dunn says: "Information technology happened to me this leap with [the White Sox'due south] Nate Jones. I was facing him on the back field. I couldn't run across the ball, only I could hear it coming. I thought, That one sounded actually hard. Information technology makes a audio, a fizz, like a pissed-off bumblebee."
Baker says, "With [the Blue Jays'] Josh Johnson, it sounds like a missile is coming at you."
LaRoche says, "When [Adam] Wainwright throws his curveball, I hear the pop when he lets it go."
Fuld says, "When Verlander throws that curveball, it is spinning so fast, you tin can hear it. He just has more revolutions on it that anyone else. But the sound you lot hear after he throws that curveball is fifty-fifty louder: the whoosh of the bat when you swing and miss."
The sound of the crowd
I heed to the fans. But when y'all hear 'You suck!' for the xxx,000th time, you lot tune it out.
-- Adam Dunn
Baseball fans are unlike from those of any other sport. There are so many of them, they are so close to the field, there is a game every night, the game moves so slowly, in that location is so much expressionless time, so much time to rag on the players. And although pitchers and hitters do their best to block out the sounds of the fans when they're on the mound or at the plate, that's a tougher claiming for outfielders. An outfielder can stand up in i place for 30 minutes at a time with the fans right backside him, screaming. That's why there is more heckling going on in baseball than in other sports.
"A couple of places, in that location is great animosity for you lot: Wrigley Field and San Francisco," Berkman says. "You get the feeling that they genuinely detest you in that location. They are very uncreative in that location. You know, they commonly just say, 'Y'all suck.' Or they call me fatty."
Fuld, who is v-foot-eight, says: "You tin can hear the fans in Oakland and Toronto. I become yelled at, especially about my height. You lot know, the usual, 'Hey, Fuld, stand, we tin't come across you.'"
John Baker says: "You can hear people yelling at you, especially when you're going poorly. Y'all tin hear the three people screaming at you, 'Baker, yous suck.' At Dodger Stadium, 50,000 are screaming at you. Barry Bonds said you have to be pretty good to have 50,000 yelling at yous. I remember information technology's worse when iii guys are, and y'all can hear every word they say."
But every ballpark is dissimilar.
"Your ears fob on you," Wilson says. "The acoustics are then loud in some parks. Like Tampa, it'southward so loud in there even when there are just x,000 in the stands. There's a fan in the stands with the cowbell, you can hear him. There's an one-time Rays fan in an old Rays jersey -- yous tin listen to the game on the radio and hear his vox. You know why players wear warm-upward jackets in the bullpen? It'due south and then the uneducated fans don't know them and tin't yell their proper noun. It is like, 'Hey, yous' or 'Hey, brown-haired pitcher' instead of, 'Hey, Wilson.'
"Simply in Detroit, they are very clever. When the Rangers had Eric Gagne, they'd yell, 'Hey French Tickler, how are you?' Information technology was hilarious. I urban center, which I won't mention, they are not inventive. They have the worst heckler at that place. He yells at the correct fielder the whole game. He just yells his name. Really? Is that it? Is that all you have?"
A lot depends on where and when you lot are playing.
"In bound grooming, you can hear the left fielder cough from the pitcher's mound," Wilson says. "But in the regular flavour, when y'all are in a packed ballpark in a stressful state of affairs, you can only hear the roar of the crowd. In quieter places, you can hear a fan in the upper deck. It'southward funny, merely my blood brother comes to all the games I starting time. His voice cuts like a knife. When he yells 'Yeah, C.J.,' I can hear him from wherever he is sitting. I laugh my ass off. He weighs 140 pounds, and I tin can hear him in a crowd of xl,000. Information technology's a genetic thing."
Some visiting players take become favorites of the home crowd, and vice versa. Two years ago, the fans in the right-field stands in Oakland became favorites of Francoeur because they were so passionate, so funny. During ane game in Oakland, he wrapped a baseball game in bacon and threw it into the bleachers in correct field.
"I call them 'the Bacon Crew,'" Francoeur says. "Last year, I bought them all a bunch of hot dogs during the game and they started cheering me. Then I bought them pizza. At end of [2013] spring grooming, they came to an exhibition game in Camelback only to cheer for me. I got together with those guys for an hour in the parking lot after a game this spring. We just cooked some bacon."
Francoeur says that he hears no sounds when he's at the plate merely that he hears everything in the outfield because "it takes a lot more focus to hit than it does to play the outfield. I am so confident in my ability out there. I hear everything, merely I tin can however focus completely on the game."
Diaz agrees. He hears the fans when he plays the outfield. He says he used to get razzed in Philadelphia, as all outfielders exercise, until a few years ago "when I leg-whipped the Blood-red Human being. This guy came running out in the field dressed in a blood-red spandex outfit. I was because giving him a full-steam spear; but he was slightly built, and for a 2d, I thought information technology might be a woman. And so I leg-whipped him to the ground, then the security guys clobbered him. The security guys gave me a security T-shirt and an ID badge. The next Halloween, I went dressed every bit a security man. It was a overnice night at the park. The side by side time I went there, I got a standing ovation from the fans.
"So they heckled me. They'd scream, 'You don't hit the brawl as hard every bit you hit our fans.' The fans in Philadelphia are very creative."
That's what Dunn is looking for in a game.
"I listen to the fans," he says. "I don't want to miss anything. I am listening when I'yard at beginning base. I am listening for something funny. I am willing to express joy if they say something funny."
Elliot Johnson laughs and says, "I heard a guy yell this: 'Elliot Johnson, Elliot Johnson, I Googled you and the respond I got was, "Why?"' I turned and gave him the thumbs-up. That was pretty funny. He made me laugh. There's no telling what you might hear at the ballpark."
Source: https://www.espn.com/mlb/story/_/id/9190902/sounds-major-league-baseball-game-players-perspective
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